The lower left corner was the first piece I made of this 4-plate print. I made it during a stay in Norway at Anne Breivik's Oslo studio, and she taught me how to do viscosity printing using it. When I got back to my studio in Seattle I wanted the image to be bigger, so I cut another plate and fitted it with interlocking "puzzle edges". Then, I wanted it bigger yet, so I added two more pieces across the top. I cut holes in the metal  for the "stones", which were soldered on to a metal carrier plate the way Rolf Nesch had taught me to do on that same trip to Norway. The print I used for the stamp is different than the edition. The print is an intaglio and relief from etched, engraved and perforated, puzzle-jointed copper and zinc plates in black, red, pink, ochre, and blue. Image is 16 1/2" X 22" on 20" X 26" Arches cover. Inscribed "To my mother".